Quantico is a new boring show on abc that is actually Baywatch at the FBI, complete with gorgeous, heavily made up babes beating up all the evil men. It’s hard to believe it made it beyond the trailers. It’s been renewed and Season Two will be filmed in New York beginning in July.
It’s found its niche. It’s an anti-American, anti-Semitic, anti-Israeli hate show.
The creators of the show have decided to portray Jews as terrorists and one Jew wants to bomb Grand Central Station because his fellow agents are angry with him. They have an American agent who is a bloodthirsty killer. The Muslims are pure and a force for good.
It’s not a reality show.
A Jewish “right-wing Zionist” FBI agent turns out to be a terrorist and the Muslim women of course are not.
Simon Asher (played by actor Tate Ellington) is the FBI agent and evil Jew who procured a bomb to blow up Grand Central. His evil friend, Oren, a religious Israeli Jew with a beard and side-curls (the facial hair of very religious Jewish men), is the bomb builder.
Goebbels would be proud of this show.
Simon is upset with the FBI because he says the FBI is “not serious” about justice. He also feels he has been persecuted for turning in an FBI profiler who faked evidence against a serial killer who wasn’t guilty of those particular murders. So, naturally, that led him to try and blow up Grand Central Station, people and all.
Terrorism certainly couldn’t be related to Islamic jihad. That would be fantastical.
There is a sub-plot with a U.S. Government “interrogator” torturing people and he has to be stopped by Marines with guns.
These writers and producers and the entire network should be imprisoned if not for their anti-American and anti-Israeli trash show, then for their unbelievably unbelievable plot lines. The gulag is not too extreme for writing this bad.
What about these actors? They’ll act in anything?
The plotting doesn’t end there.
The “Jewish right-winger Zionist” and former member of the IDF, the elite Israel Defense Forces (of course), Simon Asher, is disgusted with himself for participating in alleged Israeli “atrocities” in Gaza, that he pretended to be gay and sucked up to one of the Muslim FBI agents in order to date her.
In Episodes 4 and 5, evil Simon Asher “confesses” to a classmate with tears in his eyes, “You were right about me. I am dangerous. . . . I was in the Israeli Defense Forces. They sent me into Gaza. I didn’t just see things. I did things. Things that haunt me every single day of my life. After I got back, living undercover was the only way I could cope with what I did, with myself. So I made myself a lie. I don’t wear glasses. I don’t even like coffee. And I’m not . . . I not. . . I’d understand if you hate me.”
Sure, hate the Jews who defend themselves. Makes sense.
The IDF are the people who sent flyers down from the air to warn the people of upcoming bombings of installations and other military targets, often kept in houses, churches, schools by the terrorists of Hamas.
Morton A. Klein, president of The Zionist Organization of America (ZOA) and Elizabeth Berney, Esq., Director of Special Projects released the following statement:
In the midst of a wave of Palestinian Arabs’ daily stabbing, shooting and car attacks against innocent Jewish civilians, American television network ABC has now added fuel to the fire. On October 18, 2015, in episode 4 of ABC’s new TV series, “Quantico,” the show’s Jewish character Simon Asher falsely proclaims: “I spent months with the UAWC rehabbing greenhouses bombed by the Israelis in the Gaza strip.” The show’s lie that Israel’s IDF bombed and destroyed the Gaza greenhouses, when it was the Palestinian Arabs themselves who looted and destroyed them, is false, deeply offensive, and dangerous.
Quantico reverses reality. In fact, Israeli greenhouses are the victims of Hamas rockets.
And at a later date, they said this:
“Quantico” also escalated its practice of mocking and portraying Jews as sniveling, untrustworthy, duplicitous, disloyal, war criminals, violent, unable to see the “greater good,” people who “follow orders” that are wrong; terrorism-plotters and ugly bomb-makers. “Quantico” also makes absurd “Islamaphobia” claims; portrays Muslims as moral and beautiful; glorifies a Muslim Imam who defies the FBI; and glorifies Arab terrorists and Palestinian-Arab “resistance” (a euphemism for Palestinian-Arab attacks on Jews). It’s time for ABC to cancel this horrendous, defamatory series, which reverses reality. Jews are already being subjected to far more religious hate crimes than any other group: Sixty-percent (60%) of U.S. religious hate crimes are against Jews (and only 15% are against Muslims). “Quantico” will inflame more baseless Jew hatred and incite even more anti-Semitic hate crimes.
What’s next? Hmm…I know, how about Tea Party senior citizens occupying buildings, having sex on the streets in public, defecating on police cars, throwing rocks at the police, shooting at police cars and helicopters, burning down buildings, leaving filth everywhere and demanding we all become communists.
People love ‘Quantico’ apparently. More than 11 million tune in which to me simply shows how truly “off” our society is. This moronic show is to be distributed worldwide by Disney, causing Walt to turn over in his grave.
Sixty percent of hate crimes are against Jews and a very small percentage are against Muslims. This should help foster more of that hate at a dangerous time when Jews are being persecuted throughout the world.
Have we traveled back to the 1930’s?
Adolf Hitler and his propaganda minister Joseph Goebbels used film for propaganda for the National Socialist German Workers Party as early as 1930, when the party first established a film department.
A book published in 2013, “The Collaboration: Hollywood’s Pact With Hitler,” by scholar Ben Urwand accuses Socialist Hollywood of once being in the tank for Nazi Germany. The left hated the book and panned it.
The book includes numerous documents to support the conclusion that Hollywood, to protect its German market, enthusiastically cooperated with their global propaganda effort.
Urwand alleges that Hollywood collaborated directly with Adolf Hitler. Greed, political correctness, and perhaps more sinister motives were more important to them than opposing the Nazi regime.
Hollywood’s “collaboration began in 1930, when Carl Laemmle Jr. of Universal Studios agreed to significant cuts in ‘All quiet on the Western Front’ after the Nazi Party organized riots in Germany, and it lasted until well past Kristallnacht in November, 1938.
Historians have long known that Hollywood allowed Nazi meddling in the industry, but Mr. Urwand has gone into German and American archives to discover what he says is a deep and long relationship between Hollywood and the brutal Third Reich.
Urwand presents endless reams of evidence that studio bosses, some Jewish, cut films to suit Nazi officials who wanted to propagandize them. Not only that, the money went to actually help finance the German army.
Jack Warner, for example, personally ordered the word “Jew” be removed from the 1937 film, ‘The Life of Emile Zola,” and then invited Nazi officials to LA to screen the film and suggest cuts. Mr. Urwand said Warner Brothers was appeasing Hitler as early as 1933.
One of Urwand’s many discoveries was a 1938 letter from the German 20th-Century Fox asking whether Hitler would share his opinions on American movies. It was signed ‘Heil Hitler!’
Urwand found detailed records of ongoing studio visits by German officials in which they watched films and dictated scene-by-scene cuts, insisting the cuts be made in all countries, including the US.
One film, ‘The Mad Dog of Europe,’ was completely quashed. “We have terrific income in Germany and, as far as I am concerned,” Louis B. Mayer was quoted in a legal case as saying, “this picture will never be made.” Urwand found more than 20 films that were intended for US audiences but were altered or put on the shelf.
One movie ‘The House of Rothschild,’ depicting the Jewish patriarch of the Rothschild family as mean-spirited, was loved by the Nazis so much that they used parts of it in a vile documentary titled, ‘The Eternal Jew.’
This is how it was advertised.
That isn’t what the makers of the film had in mind however and, after this, Jewish characters were removed from Hollywood movies to keep the Germans from distorting the characters to make them look worse than planned. Unfortunately, it gave the Germans free reign. As the Germans were barring Jews from any kind of normal life, no mention of even their existence was made in Hollywood.
Nazi newspapers loved films like ‘The Lives of a Bengal Lancer, Mutiny on the Bounty’ and ‘Our Daily Bread’ because they liked seeing the fascist political lessons being taught with humor. They particularly liked ‘Mr. Smith Goes to Washington’ because it showed the democratic form of government as corrupt and inefficient.
Urwand states that the studios were as bad as any industry, including the State Department which refused to give visas to Jews. “Collaboration,” he said, “is what the studios were doing, and how they describe it.”
Now we have Baywatch at the FBI propagandizing against Israel and American agents. it’s not innocent.